Question

Много баллов . постройте T S D с обращениями в тональности ре диез минор . Или хотя бы просто T S D в ре диез минор

Answer 1

Построения смотрите во вложении.
dis-moll, 6#

Аккорды D53, D6, D64 строятся в миноре гармонического вида (с VII повышенной ступенью). Этим объясняется до дубль-диез в этих аккордах.

Answer 2

Tonic, Subdominant, and Dominant in D-sharp Minor

To construct the Tonic, Subdominant, and Dominant chords in D-sharp minor, we need to identify the notes in the D-sharp minor scale and then determine the corresponding chords.

The D-sharp minor scale consists of the following notes: D#, E#, F#, G#, A#, B, and C#.

Tonic (T) in D-sharp Minor

The Tonic chord is built on the first note of the scale, which is D#. To construct the Tonic chord, we take the first, third, and fifth notes of the scale. Therefore, the Tonic chord in D-sharp minor is D# minor, which consists of the notes D#, F#, and A#.

Subdominant (S) in D-sharp Minor

The Subdominant chord is built on the fourth note of the scale, which is G#. To construct the Subdominant chord, we take the fourth, sixth, and first notes of the scale. Therefore, the Subdominant chord in D-sharp minor is G# major, which consists of the notes G#, B, and D#.

Dominant (D) in D-sharp Minor

The Dominant chord is built on the fifth note of the scale, which is A#. To construct the Dominant chord, we take the fifth, seventh, and second notes of the scale. Therefore, the Dominant chord in D-sharp minor is A# major, which consists of the notes A#, C#, and E#.

In summary, the Tonic, Subdominant, and Dominant chords in D-sharp minor are as follows: - Tonic (T): D# minor (D#, F#, A#) - Subdominant (S): G# major (G#, B, D#) - Dominant (D): A# major (A#, C#, E#)

Please note that the chord names are based on the standard naming conventions for chords in music theory.