Вопрос задан 14.09.2018 в 02:52. Предмет Музыка. Спрашивает Константинов Дмитрий.

Помогите срочно!!! Построить в тональности ре мажор указанные ниже аккорды: а) Т53, S64, Т53,

D64,D6, Т53. б) Т53, VII53, Т3, D6, T53, T6, S53, S6, D7, VI53, S53, T64, D7, T3. в) D53, D6, T53, S64, T53, VII53, T3, VI53, S6, T53.
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Отвечает Романенкова Маша.
А) ре, фа#, ля. ре,соль,си. как 1. ми, ля, до#. до#, ми, ля. как 1

б) (есть то что я не знаю) ре фа# ля. ----. ----. до# ми ля. как 1. фа# ля ре. соль си ре. си ре соль. ля до ми соль. -----. соль си ре. ля фа# ре. ля до ми соль. ------.

в) ля до ми. до# ми ля. ре фа# ля. ре соль си. ре фа# ля. -----. -----. ------. ля фа# ре. ре фа# ля.
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Отвечает нейросеть ChatGpt. Будьте внимательны, ответы нейросети могут содержать ошибочные или выдуманные данные.

Building Chords in D Major

a) To build the chords in D major, we start with the D major scale: D, E, F#, G, A, B, C#.

The given chords are: T53, S64, T53, D64, D6, T53.

- T53: This chord is the tonic triad in D major, which consists of the notes D, F#, and A. - S64: This chord is the subdominant triad in D major, which consists of the notes G, B, and D. - T53: This chord is the tonic triad in D major, which consists of the notes D, F#, and A. - D64: This chord is the dominant triad in D major, which consists of the notes A, C#, and E. - D6: This chord is the dominant 7th chord in D major, which consists of the notes A, C#, E, and F#. - T53: This chord is the tonic triad in D major, which consists of the notes D, F#, and A.

b) The given chords are: T53, VII53, T3, D6, T53, T6, S53, S6, D7, VI53, S53, T64, D7, T3.

- T53: This chord is the tonic triad in D major, which consists of the notes D, F#, and A. - VII53: This chord is the seventh chord built on the seventh degree of the D major scale, which consists of the notes C#, E, and G. - T3: This chord is the tonic triad in D major, which consists of the notes D, F#, and A. - D6: This chord is the dominant 7th chord in D major, which consists of the notes A, C#, E, and F#. - T53: This chord is the tonic triad in D major, which consists of the notes D, F#, and A. - T6: This chord is the sixth chord in D major, which consists of the notes B, D, and F#. - S53: This chord is the subdominant triad in D major, which consists of the notes G, B, and D. - S6: This chord is the sixth chord in D major, which consists of the notes B, D, and F#. - D7: This chord is the dominant 7th chord in D major, which consists of the notes A, C#, E, and G. - VI53: This chord is the sixth chord in D major, which consists of the notes B, D, and G. - S53: This chord is the subdominant triad in D major, which consists of the notes G, B, and D. - T64: This chord is the tonic 6/4 chord in D major, which consists of the notes D, F#, and B. - D7: This chord is the dominant 7th chord in D major, which consists of the notes A, C#, E, and G. - T3: This chord is the tonic triad in D major, which consists of the notes D, F#, and A.

c) The given chords are: D53, D6, T53, S64, T53, VII53, T3, VI53, S6, T53.

- D53: This chord is the dominant triad in D major, which consists of the notes A, C#, and E. - D6: This chord is the dominant 7th chord in D major, which consists of the notes A, C#, E, and F#. - T53: This chord is the tonic triad in D major, which consists of the notes D, F#, and A. - S64: This chord is the subdominant triad in D major, which consists of the notes G, B, and D. - T53: This chord is the tonic triad in D major, which consists of the notes D, F#, and A. - VII53: This chord is the seventh chord built on the seventh degree of the D major scale, which consists of the notes C#, E, and G. - T3: This chord is the tonic triad in D major, which consists of the notes D, F#, and A. - VI53: This chord is the sixth chord in D major, which consists of the notes B, D, and G. - S6: This chord is the sixth chord in D major, which consists of the notes B, D, and F#. - T53: This chord is the tonic triad in D major, which consists of the notes D, F#, and A.

Please note that the given chords are written using a shorthand notation. The numbers represent the scale degrees, and the uppercase letters represent the chord qualities. The lowercase letters represent the chord inversions.

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