Question

в фа миноре гармоническом построить последовательность аккордов t-S6-t64-D2-t6-D43-t.В ми мажоре и соль миноре гармонического построить D7 с обращениями.

Answer 1

F-moll, 4♭
t: фа-ля♭-до
s6: ре-фа-си♭
t64: до-фа-ля♭
D2: си♭-до-ми(бекар)-соль
t6: ля♭-до-фа-фа
D43: соль-си♭-до-ми(бекар)
t: фа-ля♭-до-фа

E-dur, 4#
D7: си-ре#-фа#-ля
D65: ре#-фа#-ля-си
D43: фа#-ля-си-ре#
D2: ля-си-ре#-фа#

g-moll, 2♭
D7: ре-фа#-ля-до
D65: фа#-ля-до-ре
D43: ля-до-ре-фа#
D2: до-ре-фа#-ля

Answer 2

Building a chord progression in F# minor harmonic:

To build a chord progression in F# minor harmonic, we can use the given sequence of chords: t-S6-t64-D2-t6-D43-t. Let's break it down step by step:

1. t: The tonic chord in F# minor is F# minor (F#m). This chord consists of the notes F#, A, and C#. 2. S6: The submediant chord with a sixth in F# minor is D major (D). This chord consists of the notes D, F#, and A. 3. t64: The tonic chord in second inversion in F# minor is F# minor in second inversion (F#m/E). This chord consists of the notes E, F#, and A. 4. D2: The dominant chord in second inversion in F# minor is A major in second inversion (A/C#). This chord consists of the notes C#, E, and A. 5. t6: The tonic chord in first inversion in F# minor is F# minor in first inversion (F#m/C#). This chord consists of the notes C#, F#, and A. 6. D43: The dominant chord in first inversion in F# minor is A major in first inversion (A/F#). This chord consists of the notes F#, A, and C#. 7. t: The tonic chord in F# minor is F# minor (F#m). This chord consists of the notes F#, A, and C#.

So, the chord progression in F# minor harmonic using the given sequence is: F#m - D - F#m/E - A/C# - F#m/C# - A/F# - F#m.

Building a chord progression in E major and G minor harmonic:

To build a chord progression in E major and G minor harmonic using D7 with inversions, let's break it down step by step:

1. D7: The dominant seventh chord in E major is D7. This chord consists of the notes D, F#, A, and C. 2. First inversion: To create the first inversion of D7, we take the third of the chord (F#) and move it to the bass. So, the first inversion of D7 is F# A C D. 3. Second inversion: To create the second inversion of D7, we take the fifth of the chord (A) and move it to the bass. So, the second inversion of D7 is A C D F#.

So, the chord progression in E major using D7 with inversions is: D7 - F# A C D - A C D F#.

For G minor harmonic, the process is the same. The chord progression using D7 with inversions is: D7 - F# A C D - A C D F#.

Please note that the chord progressions provided are just examples and can be modified or expanded upon based on your musical preferences and the context in which you are using them.