Question

Помогите с вопросами по сольфе!! 1. Древнегреческий математик, астроном, философ и музыкант, разработавший теорию звука и космической гармонии. 2. Как назывались знаки для записи одноголосных мелодий в срендевековье? 3. Что они передавали? 4. Как назывались одноголосные песнопения, исполняемые во время церковной службы? 5. Кто и когда изобрёл нотную запись? 6. Какие были первые ноты? 7. Сколько было для них линеек? 8. Какое песнопение послужило источником для названия нот?

Answer 1

Ответ:1. Пифагор

7. 4

8. Гимн Святому Иоанну

Объяснение:дальше делаю может добавлю ответ позже

Answer 2

Ancient Greek Mathematician, Astronomer, Philosopher, and Musician

The ancient Greek mathematician, astronomer, philosopher, and musician who developed the theory of sound and cosmic harmony is Pythagoras. He is known for his contributions to various fields, including mathematics, astronomy, philosophy, and music. Pythagoras believed in the power of numbers and their relationship to the harmony of the universe. He is famous for the Pythagorean theorem, which states that in a right-angled triangle, the square of the hypotenuse is equal to the sum of the squares of the other two sides.

Notation for Recording Monophonic Melodies in the Middle Ages

In the Middle Ages, the notation used for recording monophonic melodies was called neumes. Neumes were graphical symbols used to represent musical pitches and rhythms. They were developed in the 9th century and were primarily used in religious music, particularly in Gregorian chant.

Purpose of Neumes

Neumes served as a guide for singers to remember the melodic contour of a chant. They indicated the general direction of the melody, but did not provide precise information about the exact pitches or rhythms. Neumes were primarily used as memory aids for singers who already knew the melodies by heart. They were not intended to be a precise notation system like modern musical notation.

Monophonic Chants in Church Services

The monophonic chants performed during church services in the Middle Ages were called plainchant or Gregorian chant. These chants were sung in unison without any instrumental accompaniment. They were an integral part of the liturgical music of the Catholic Church and were used for various parts of the Mass and other religious ceremonies.

Invention of Musical Notation

The invention of musical notation, as we know it today, is attributed to various individuals and developments over time. One of the earliest systems of musical notation was developed by the ancient Greeks, including Pythagoras, who used letters to represent musical pitches. However, this system was not widely adopted.

The modern musical notation system, with staff lines and notes, began to emerge in the 9th and 10th centuries in Western Europe. Guido d'Arezzo, an Italian music theorist, is often credited with the development of the staff notation system in the 11th century. This system provided a way to represent both pitch and rhythm more accurately.

First Musical Notes and Number of Lines

The first musical notes used in early musical notation were called neumes. Neumes were small symbols placed above the text to indicate the general direction of the melody. They did not represent specific pitches or durations. The number of lines used for neumes varied over time, but the most common number of lines was four.

Influence of Gregorian Chant on the Naming of Notes

The naming of notes in modern Western music is derived from the syllables used to sing the Gregorian chant. The notes of the diatonic scale (do, re, mi, fa, sol, la, ti) are derived from the first syllables of the lines of the hymn to St. John the Baptist, "Ut queant laxis." The syllable "ut" eventually evolved into "do" to improve the vocal range of singers.

These are the answers to your questions about solfege and the history of musical notation. Let me know if you have any more questions!