Question

2.Какую традицию 18 века нарушил Д.И.Фонвизин в своей комедии? А. теория «триединства» В. любовная интрига Б. «говорящие» фамилии Г. односторонность характеристики героев

Answer 1

2. Г. Характеры показаны в действии и разносторонне.

Answer 2

The Tradition Violated by D.I. Fonvizin in His Comedy

D.I. Fonvizin, a prominent Russian playwright of the 18th century, violated the tradition of "speaking" surnames in his comedy. This tradition involved giving characters surnames that reflected their personality traits or characteristics. Fonvizin deviated from this convention and instead focused on creating multi-dimensional characters with complex personalities. By doing so, he challenged the one-sided characterization of characters commonly found in traditional comedies of the time.

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The Theory of "Triunity"

The theory of "triunity" is not directly related to the tradition violated by D.I. Fonvizin in his comedy. The theory of "triunity" refers to a philosophical concept that suggests the existence of three fundamental elements or principles that form the basis of reality. It is not specifically associated with Fonvizin's work.

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Love Intrigue

While love intrigues are a common theme in many comedies, it is not the specific tradition violated by D.I. Fonvizin in his comedy. Fonvizin's comedy, "The Minor," focuses on broader social issues and satirizes the Russian nobility rather than solely focusing on love intrigues.

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"Speaking" Surnames

The tradition of "speaking" surnames, where characters' surnames reflect their personality traits or characteristics, is not violated by D.I. Fonvizin in his comedy. In fact, Fonvizin's characters often have names that are not directly related to their personalities, which deviates from the convention of "speaking" surnames.

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One-Sided Characterization of Heroes

The tradition of one-sided characterization of heroes is the tradition that D.I. Fonvizin violated in his comedy. In traditional comedies of the 18th century, characters were often portrayed in a one-dimensional manner, with their personalities and traits exaggerated for comedic effect. Fonvizin, however, aimed to create more realistic and complex characters in his comedy, challenging the one-sided characterization commonly found in traditional comedies.

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