Question

Тоника субдоминанта доминанта фа минор

Answer 1

Ответ:

Ответ на фото

Объяснение:

Answer 2

Ответ:Тоническое трезвучие (снизу вверх): фа - ля бемоль - до;

Субдоминантовое трезвучие: си бемоль - ре бемоль - фа;

Доминантовое трезвучие: до - ми (бекар) - соль.

Answer 3

Tonic, Subdominant, and Dominant in F# Minor

In the key of F# minor, the tonic, subdominant, and dominant chords play essential roles in defining the harmonic structure of the scale.

Tonic (I): The tonic chord in F# minor is F# minor (F#m). As the tonic, this chord serves as the "home" chord and provides a sense of resolution and stability within the key. It is often used to establish the key at the beginning and end of a piece.

Subdominant (IV): The subdominant chord in F# minor is B major (B). As the subdominant, this chord creates a sense of departure and sets up tension that seeks resolution. It is commonly used to transition to the dominant chord or to create a feeling of anticipation.

Dominant (V): The dominant chord in F# minor is C# major (C#). As the dominant, this chord has a strong pull back to the tonic and is often used to create tension and drive towards resolution. It is a powerful chord that sets up the return to the tonic.

These three chords, F#m (tonic), B (subdominant), and C# (dominant), form the foundation of harmonic progression in the key of F# minor and are crucial in shaping the emotional and structural aspects of music in this key.

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