Question

2. Use one of the nouns to fill each gap. canvas visibility expression focus collage achievement aesthetic subject matter impact motif 1. Symbolism had its roots in literature, but came to affect all forms of artistic …………… . 2. The Futurists’ paintings of crowds and machines in motion were perhaps their most spectacular ……………… . 3. Ardengo Soffici’s Decomposition of the Planes of a Lamp takes as its principal ………….. a banal mass –produced object. 4. The ……………. – the key invention of Synthetic Cubism – featured scraps of newspaper, old labels, fragments of wallpaper, in facts all kinds of industrial detritus. 5. Three things established themselves at the very heart of the modernist ………, and continued to influence artists long after Futurism had exhausted its impetus. 6. The American artist Stuart Davis, heavily influenced by French Cubism, took the Lucky Strike package as the …………… for a picture. 7. Davis asked his audience to shift …………. and look at it in a totally different way, as if they had never seen it before. 8. Another American painter, Gerald Murphy, already seems to anticipate the Pop Art of the 1960s in a ……………… produced in 1922. 9. The fascination with machine forms had an inevitable ………….. on the decorative art.

Answer 1

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Answer 2

1. Symbolism had its roots in literature, but came to affect all forms of artistic expression.
2. The Futurists’ paintings of crowds and machines in motion were perhaps their most spectacular achievement.
3. Ardengo Soffici’s Decomposition of the Planes of a Lamp takes as its principal subject matter a banal mass–produced object.
4. The collage – the key invention of Synthetic Cubism – featured scraps of newspaper, old labels, fragments of wallpaper, in fact all kinds of industrial detritus.
5. Three things established themselves at the very heart of the modernist aesthetic, and continued to influence artists long after Futurism had exhausted its impetus.
6. The American artist Stuart Davis, heavily influenced by French Cubism, took the Lucky Strike package as the motif for a picture.
7. Davis asked his audience to shift focus and look at it in a totally different way, as if they had never seen it before.
8. Another American painter, Gerald Murphy, already seems to anticipate the Pop Art of the 1960s in a visibility produced in 1922.
9. The fascination with machine forms had an inevitable impact on the decorative art.