Вопрос задан 29.03.2021 в 11:33. Предмет Английский язык. Спрашивает Волкова Анастасия.

Помогите преобразовать слова Impressionism is a very natural stage of art’s (0)… . DEVELOP

Russian painters had started their (1) … of experiments with light and modified colour schemes before they visited France and got acquainted with French impressionism. HEARD And yet, there is a difference between Russian and French impressionistic (2) … in terms of their subject matter, light and colour scheme . DEPICT As far as French artists were concerned, they portrayed life differently in (3) … to Russian painters. COMPARE However, Russian impressionists never attempted to break away from (4) … REAL Strictly speaking, Vasily Polenov can be regarded as a path (5) … in this field. BREAK He was one of the first Russian painters who visited Paris in the 1870s and became (6) … fascinated by impressionism. ENORMOUS He didn’t abandon his own distinct painting style, but he made every effort to (7) … his students in Russia with his French findings and encouraged their own artistic explorations. FAMILIAR Thanks to his (8) … support, his like-minded contemporary artist Konstantin Korovin felt confidence to work differently. ENTHUSIASM The Moscow School of Painting, Sculpture and (9) … had never had landscape painting classes as this genre was seen as the one for amateurs. ARCHITECT V. Polenov was the first to introduce such classes and he was (10) … besieged by students who wanted to paint nature. VIRTUAL
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Отвечает Momot Vlada.
Impressionism is a very natural stage of art’s (0)… . DEVELOPment
Russian painters had started their (1) … of experiments with light and modified colour schemes before they visited France and got acquainted with French impressionism. unHEARD
And yet, there is a difference between Russian and French impressionistic (2) … in terms of their subject matter, light and colour scheme. DEPICTions
As far as French artists were concerned, they portrayed life differently in (3) … to Russian painters. COMPARison
However, Russian impressionists never attempted to break away from (4) … REALism. Strictly speaking, Vasily Polenov can be regarded as a path (5) … in this field. BREAKer
He was one of the first Russian painters who visited Paris in the 1870s and became (6) … fascinated by impressionism. ENORMOUSly
He didn’t abandon his own distinct painting style, but he made every effort to (7) … his students in Russia with his French findings and encouraged their own artistic explorations. FAMILIARise
Thanks to his (8) … support, his like-minded contemporary artist Konstantin Korovin felt confidence to work differently. ENTHUSIAStic
The Moscow School of Painting, Sculpture and (9) … had never had landscape painting classes as this genre was seen as the one for amateurs. ARCHITECTure
V. Polenov was the first to introduce such classes and he was (10) … besieged by students who wanted to paint nature.
VIRTUALly

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Отвечает нейросеть ChatGpt. Будьте внимательны, ответы нейросети могут содержать ошибочные или выдуманные данные.

Impressionism is a very natural stage of art’s development. Russian painters had started their experiments with light and modified colour schemes before they visited France and got acquainted with French impressionism. And yet, there is a difference between Russian and French impressionistic depictions in terms of their subject matter, light and colour scheme. As far as French artists were concerned, they portrayed life differently in comparison to Russian painters. However, Russian impressionists never attempted to break away from reality. Strictly speaking, Vasily Polenov can be regarded as a path breaker in this field. He was one of the first Russian painters who visited Paris in the 1870s and became enormously fascinated by impressionism. He didn’t abandon his own distinct painting style, but he made every effort to familiarize his students in Russia with his French findings and encouraged their own artistic explorations. Thanks to his enthusiastic support, his like-minded contemporary artist Konstantin Korovin felt confidence to work differently. The Moscow School of Painting, Sculpture and Architecture had never had landscape painting classes as this genre was seen as the one for amateurs. V. Polenov was the first to introduce such classes and he was virtually besieged by students who wanted to paint nature.

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